BMA Archives - Â鶹ӰԺ University /articles/tag/bma/ Wed, 29 Jul 2026 08:04:34 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.4 /wp-content/uploads/2026/07/cropped-lawrence-favicon-32x32.jpg BMA Archives - Â鶹ӰԺ University /articles/tag/bma/ 32 32 Senior Ben Lewis joins Litch Brothers on a bluegrass journey to Ireland and beyond /articles/senior-ben-lewis-joins-litch-brothers-bluegrass-journey/ Mon, 17 Mar 2025 13:23:28 +0000 /articles/senior-ben-lewis-joins-litch-brothers-bluegrass-journey/ Ben Lewis '25 (Photo by Jacob Hanekamp '25)

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When Ben Lewis first arrived at Â鶹ӰԺ University, he intended to focus on jazz, but an unexpected shift toward bluegrass music quickly took hold. The senior from Phoenix, Oregon, now records professionally and performs worldwide with the Litch Brothers, including a recent trip to Ireland to perform at the Your Roots Are Showing, a premier folk music conference.

“I’d never played a single bluegrass tune in my life [before Â鶹ӰԺ],” remarked Lewis, who is pursuing a Bachelor of Musical Arts (B.M.A.) degree. “I came here with the idea that I would only be studying jazz.”

The B.M.A. program, however, allowed him to explore a wide range of genres.

“The B.M.A. program is great because it does allow for a lot of flexibility in terms of what styles or what genres of music you want to learn,” Lewis said.

The B.M.A., first introduced as a degree option in 2019, offers students a 50-50 split between music studies and their choice of another field in the liberal arts landscape. Â鶹ӰԺ now has four degree options: Bachelor of Arts, Bachelor of Music, Bachelor of Arts & Bachelor of Music Dual Degree, and the B.M.A.

That flexibility made it easy when, toward the end of his first year, friends in the Conservatory of Music invited Lewis to join a bluegrass group. Now known as the Litch Brothers, the band features Tashi Litch ’24, Kaj Litch, Evan Snoey ’23, and Lewis.

“I sort of fell in love with bluegrass music right away,” Lewis said. “It has this driving energy to it that really resonated with me.” 

He cites guitarists Tony Rice—”one of the original pioneers”—and Alison Krauss as important influences. 

Â鶹ӰԺ’s Conservatory nurtured the group’s development as they refined their sound.

“The Conservatory was really supportive of this,” Lewis added. “They helped foster the Litch Brothers as we expanded our repertoire. I was able to learn very quickly and develop as a bluegrass musician while I was here—it’s all thanks to the Conservatory’s culture.”

Through coaching with Â鶹ӰԺ instructor and improvisation specialist Matt Turner, the band crafted a distinct style blending bluegrass with elements of jazz and rock.

“We bring a more progressive approach to bluegrass music incorporating styles such as rock, folk, and Romani jazz—we have a more ‘jazz-sound’ in general,” Lewis said. “Our arrangement of traditional bluegrass tunes have a more progress-quality to them. We also cover popular rock tunes.”

Ben Lewis (left) with Tashi Litch ’24 on their trip to Ireland. 

As they gained traction, the Litch Brothers played wherever they could—small festivals, nonprofits, and community events—anything to “get their sound out there.” A string of successful performances throughout the country culminated in their biggest milestone yet—the International Bluegrass Music Association (IBMA) World of Bluegrass festival, the genre’s most prestigious venue.

With financial support from the Conservatory and encouragement from Dean Brian Pertl, the Litch Brothers made a triumphant debut at the IBMA festival in September 2023. Their performance was met with enthusiasm, securing a return invitation for 2024 as well as a coveted booking at the Your Roots Are Showing (YRAS) conference. The band spent more than a week in Ireland in January 2025.

“The folk tradition runs deep in Ireland, and there’s a lot of government support for it,” Lewis said. “The festival was held in Killarney, which is a really naturally beautiful place.”

The conference was preceded by an eight-day tour in Ireland.

“We just got to meet so many musically involved people,” Lewis said, “whether it be music executives and festival organizers at YRAS or talented amateur musicians in the pubs.”

Lewis’ participation in both festivals was made possible by the Conservatory’s Fred Sturm Inspiration Fund, which supports students pursuing innovative musical projects. 

The band will pursue a number of opportunities during the summer of 2025: the Gray Fox Bluegrass Festival, recording their debut album, and embarking on a five-week concert tour of the West Coast.

Lewis, graduating in June, hopes to move to Nashville, Tennessee, and join the bustling bluegrass, old-time, and country music scenes. He was recently recruited by mandolin player Nick Dumas for a series of summer concerts. 

“Â鶹ӰԺ has made me a very versatile player—I never have to put myself in a box because I’ve learned to play so many different styles here, and more than just jazz and bluegrass,” Lewis said. “I’ve played R&B music, soul, rock, punk… and so much more. Even if I don’t move to Nashville, I’ve got all the tools I need to succeed.”

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Alums Blair, Murphy embrace Â鶹ӰԺ as they return to Appleton to play Mile of Music /articles/mile-music-artists-blair-murphy-embrace-lawrence-influence/ Tue, 27 Aug 2024 20:13:28 +0000 /articles/mile-music-artists-blair-murphy-embrace-lawrence-influence/ Julia Blair '11 is backed by musicians from the Â鶹ӰԺ Chamber Music Festival during the 2024 Mile of Music. (Photo by Danny Damiani)

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The strong bond between Â鶹ӰԺ University, community, and music led two alumni back to Appleton and back to campus for this year’s Mile of Music festival. 

Julia Blair ’11 and Michael Murphy ’23 took the stage during the 11th Mile over the weekend of Aug. 1-4.  

For Murphy, a Neenah, Wisconsin, native now living in Nashville, Tennessee, the chance to perform at Mile had been a longtime dream—for him and his family. Since they were young, Murphy performed with brothers Jack and David, forming the family band Murphy’s Law. 

“All we would do all the time was play music,” Murphy said. “That was the origin of our love for the Mile, was maybe someday our little family band would be able to play the festival. This festival that we had in our back yard growing up, to be able to actually now perform is such a blessing.”  

Murphy performed alongside two other Â鶹ӰԺ alumni: his older brother, Jack Murphy ’21, and Ryan Erdmann ’22, playing tracks off his debut solo album, Indigo Jones. Jack and Ryan also recorded the album with Murphy in 2023. 

Michael Murphy ’23 performs during the 2024 Mile of Music in Appleton. (Photo by Danny Damiani)

Michael Murphy describes his music as influenced by the sounds of the 1970s with a dash of Americana. Artists such as Steely Dan, James Taylor, Elton John, and Led Zeppelin fill his Spotify Wrapped, he said. 

“I get to play guitar a little bit and feature that, but I also get to write some beautiful melodies that people can relate to,” Murphy said.  

Blair, an Appleton native, also found her passion for music from a young age, including a love for chamber music. So, when Michael Mizrahi, Frank C. Shattuck Professor of Music at Â鶹ӰԺ, approached her about performing with the inaugural Â鶹ӰԺ Chamber Music Festival, it seemed like a perfect opportunity. 

“I grew up playing viola,” Blair said. “The first group I ever performed in independently was a string quartet in high school. On my first record, I have a string quartet for one of my songs. I was really excited by the idea of arranging my songs that way.” 

The Chamber Music Festival, a newly formed program designed for advanced instrumentalists and ensembles, allowed Blair to perform her music in a different way. She also performed solo at several venues, an uncommon occurrence for Blair, as she usually plays with a group.  

See photo gallery from Mile of Music

About a year after graduating from Â鶹ӰԺ, Blair formed the band Holy Sheboygan! She now also plays with the band DUSK. Her first solo album, Better Out Than In, was released in 2022.  

“Holy Sheboygan! was very much like a collective, kind of folk music—it varied a lot. DUSK is a louder country rock-and-roll band,” Blair said. “And then my solo music is kind of an amalgamation of those two.” 

Journey to Â鶹ӰԺ through music 

Blair and Murphy took slightly unconventional routes through music during their times at Â鶹ӰԺ.  

Blair, a religious studies and music major, was unsure what her career path would be after graduation. She was drawn to Buddhism and was encouraged to explore that interest while at Â鶹ӰԺ.  

Some of her main influences were now-retired professors Dirck Vorenkamp and Gene Biringer. Blair recalled a course taught by Biringer that looked at the connection between music and mindfulness.  

“There was a meditation element to the class,” she said. “There was also modern, mindful music and historical music and mysticism. We also went on a meditation retreat to Björklunden. It was a really cool class.” 

Blair also credits Matt Turner, instructor of music, and Karen Leigh-Post, professor of music and teacher of voice, with helping her explore the realm of music.  

Turner, she said, helped her look at music in a different way and explore new improvisation styles. Meanwhile, Leigh-Post brought shared vocal techniques and vocal health strategies.  

“She’s (Leigh-Post) very Western classical minded; that’s her performance style,” Blair said. “But she knew that wasn’t my trajectory and what I planned to do after school. Her style of teaching extended beyond just that style.”  

Michael Murphy also thought this Â鶹ӰԺ experience would go in a different direction, entering school intending to study neuroscience.  

“About halfway through my first year, I had a massive self-reflective intervention and realized my passion was in music and creation,” Murphy said. “I switched as fast as I could.” 

Murphy made the switch to the Bachelor of Musical Arts (B.M.A.) program, which began at Â鶹ӰԺ at the start of his first year in 2019. The new degree allowed students to audition with non-classical music and to explore a wide range of alternate music-making opportunities. B.M.A. students could also choose a cognate—a non-musical area of study—to pursue; Murphy’s choice was innovation and entrepreneurship. 

Because the B.M.A. program was new, Murphy said he was like a “guinea pig”—which worked in his favor.  

“I got to try a lot of different things; I took a lot of lessons and as many random classes as I could to piece together this major,” Murphy said. “I studied classical voice, jazz guitar, upright and electric bass, jazz comp—all of that stuff.”  

One of the biggest things Murphy took away from his college experience was the relationships he created with professors and lecturers, many of which continue to this day. 

Steve Peplin, lecturer of music, and Brent Hauer, director of recording and technology and lecturer in recording arts, were two such influences. Peplin, Murphy said, introduced him to several artists with whom he later collaborated.  

With Hauer, Murphy helped develop audio engineering coursework at Â鶹ӰԺ.  

“He (Hauer) has been amazing for the growth of not only performance here, but also for music and creativity for students,” Murphy said. “It’s so amazing to see a lot of the new students, especially in the B.M.A., sharing their songs. We’ve created this environment where a lot of students are writing new music.” 

Gary Vaughan, lecturer in innovation and entrepreneurship, was another influence for Murphy. Vaughan helped Murphy launch his small business, Michael Murphy Music, LLC, as part of his independent study during his senior year. 

“I’m incredibly grateful for all the faculty and teachers here,” Murphy said. “To make the most out of it, it’s important to make those relationships, where it’s not just the teacher-student thing. If a student has the drive to do something, they will be excited to offer the resources.” 

Future projects 

On top of pursuing his career as a singer-songwriter, Murphy’s LLC has also branched off to his record label, Living Room Records, LLC, and a live show production company, Muse Live Productions, LLC. 

He is also gearing up for two album releases. Murphy collaborated with musical artist Steve March-Tormé to revise and record an unreleased 1984 album, Dalton Diamond. The album will be coming out in early 2025. 

“We reworked some of the songs, wrote two new songs, and made a 10-track album,” Murphy said. “We’ve done a few performances of some of the songs, and that’s the first time those songs have ever been performed since it was written in ’84-85.” 

He also recently finished mixing his second solo album, with plans to release it in 2026.  

Blair also just finished her second solo album, which will be released soon. DUSK is also working on a new album. In addition, she recently scored a film from Â鶹ӰԺ alumnus Molly Preston ‘10. Freedom, Wisconsin is working its way through the festival circuit.  

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Senior Eli Elder finds his path by blending mathematics, music in B.M.A. degree /articles/eli-elder-finds-path-music-mathematics-bma-degree/ Fri, 24 May 2024 13:39:24 +0000 /articles/eli-elder-finds-path-music-mathematics-bma-degree/ Eli Elder '24 (Photo by Danny Damiani)

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Senior Eli Elder was working to solve the equation of what school would allow him to study within a traditional college setting and a world-class conservatory. He found there was only one answer.  

Elder, of Highland Park, Illinois, chose to study at Â鶹ӰԺ University primarily because of the Bachelor of Musical Arts (B.M.A.) degree, first introduced as a degree option in 2019. The program offers students a 50-50 split between music studies and their choice of another field in the liberal arts landscape. Â鶹ӰԺ now has four degree options: Bachelor of Arts, Bachelor of Music, Bachelor of Arts & Bachelor of Music Dual Degree, and the B.M.A.

Elder’s field of choice was mathematics. 

“(The B.M.A. program) allows me to study music and math in a really easy way that’s built into the fabric of the program,” Elder said. “I don’t have to jump through hoops to be able to study both.” 

Although Elder had first intended to choose physics as his cognate, he said he was swayed by his math prerequisites. The professors and the classes were interesting to him, and he chose math as his concentration.  

Even within the world of math, Elder has ample opportunity to embrace the liberal arts education at Â鶹ӰԺ.  

“I’ve taken a lot of math classes, but I’ve also been able to take stats classes, computer science, poetry, pretty much whatever I want to,” Elder said.  

Meanwhile, within the Conservatory, Elder’s focus is in jazz and contemporary improvisation with a concentration in jazz saxophone. The B.M.A. program allows students to audition for the Conservatory with a non-classical repertoire, creating an adaptable and modern path forward as a musician.  

Elder has been able to work with musicians and artists from across all genres and disciplines. 

“The community, everyone is just so nice to each other, and there’s so many opportunities to collaborate with all different types of musicians, all different types of instruments,” Elder said, “and everyone’s just so willing and excited to.” 

Elder also took his interests abroad with the Budapest Semesters in Mathematics Education. While in Budapest, he was able to learn about the Hungarian pedagogy of mathematics and how it’s applied in middle schools and high schools.  

One of the most prominent things he learned, Elder said, was the spiral curriculum. Instead of taking one subject each year, like most schools in America, Hungarian schools will touch on each subject, then circle back every year with more rigorous lessons.  

Elder also learned about their inquiry-based and discovery-based learning. Instead of teachers lecturing and students taking notes, the class solves problems together, and their results allow them to fully understand the theorems.  

For Elder, the trip was an eye-opening experience.  

“The support that Â鶹ӰԺ gave me in applying, finding the program, getting funding was very, very helpful, and it was a life-changing experience for me,” Elder said.  

Following graduation, Elder plans to pursue his passion for mathematics and education by attending the University of Wisconsin-Madison to earn his master’s in curriculum and instruction for secondary mathematics.  

He has also been equipped by his liberal arts education to bring the arts to the classroom—even the math classroom. 

“Implementing the arts is definitely a great way to further education,” Elder said. “How can we relate these ideas? So, implementing (the arts) both on the student and educator side.” 

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Students in songwriting class meet with novelist, get chance to pitch music for upcoming film /articles/students-songwriting-class-pitch-music-upcoming-film/ Wed, 06 Mar 2024 17:13:32 +0000 /articles/students-songwriting-class-pitch-music-upcoming-film/ Novelist Michael Farris Smith (center) joins the Advanced Collaborative Songwriting class in Harper Hall to talk about music for an upcoming film adaptation of one of his books. (Photos by Danny Damiani) 

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Â鶹ӰԺ University students in a new songwriting class are writing music to be considered for an upcoming film.

Michael Farris Smith, a Mississippi author with seven novels—mostly gritty thrillers—and two film adaptations on his resume, met with students in the Advanced Collaborative Songwriting class that is being co-taught this term by Brian Pertl, dean of the Conservatory of Music, and Cory Chisel, an Appleton-based singer-songwriter. The students have been split into three creative groups to write songs that will be submitted to Smith for consideration for inclusion in one of his movie projects. 

The connection with the author-screenwriter-producer comes via Chisel, who co-wrote the title song for Desperation Road, a Smith film released in 2023 by Lionsgate.

First-year student Finn Lee shares music during the songwriting class.

A second Smith novel, The Fighter, also was adapted to film (Rumble Through the Dark) in 2023, and Smith is optioning three other novels for major studios. Salvage This World, published last spring, is the novel in play for the Â鶹ӰԺ students.

“I was lucky enough to be invited to set during the filming of Michael’s film Desperation Road, where I was able to present to him my original composition, co-written with the lead actor, Garrett Hedlund,” Chisel said. “Michael wound up loving the song and choosing it to be the title theme for the film.”

Desperation Road is available on streaming platforms such as Amazon. Chisel is listed in the credits as theme music composer.

Michael Farris Smith talks with Â鶹ӰԺ students about his latest novel, Salvage This World, published last spring. The students are writing music to be submitted for possible use in the movie adaptation of the book.

Pertl and Chisel have been co-teaching courses in collaborative songwriting for five years, but this is the first iteration of the Advanced Collaborative SongwritingÌý³¦±ô²¹²õ²õ.

“Cory is bringing an incredible opportunity to the class as the culminating experience,” Pertl said of the interaction with Smith. “Through Cory’s connections with prominent movie directors and producers, he has created the unprecedented opportunity for our class to meet with a writer-director and hear his vision for the story and the movie.”

While there is no guarantee a song from the class will be selected for use in the film, the opportunity to be considered along with other songwriters is experiential learning at its finest, Pertl said.

“They will be in the running right along with high-profile songwriters,” he said.

Chisel said he reached out to Smith to see if he’d be willing to connect with the Â鶹ӰԺ students.

“I asked,” Chisel said, “if he would be open to a final assignment I had in mind for our class: ‘Let’s give our Advanced Collaborative Songwriting students at Â鶹ӰԺ their first chance to present a song based on your book for consideration for the film.’ Amazingly, he said that sounded like a fine idea.”

Students did extensive research on the author and the book. They watched interviews with Smith in preparation for writing songs for the film. And on March 5, Smith made an in-person visit to Harper Hall, talking with the students, listening to their music, and providing feedback. The students will now finalize their entries before submitting them to Smith.

Production of the film is many months away. And there are no guarantees. But the opportunity is real.

“Brian and I always teach to be ready for this kind of opportunity, and I cannot wait to hear what they create,” Chisel said.

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Senior Owen Brady explores jazz performance, composition on campus and abroad  /articles/here-and-abroad-lu-senior-explores-performance-composition/ Thu, 11 Jan 2024 14:44:09 +0000 /articles/here-and-abroad-lu-senior-explores-performance-composition/ Owen Brady (Photo by Danny Damiani)

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“The people I’ve been fortunate to study with have been absolutely incredible,” said Owen Brady, a Â鶹ӰԺ University senior pursuing a Bachelor of Musical Arts (BMA) degree.

Not only does that sentiment ring true for his instructors at Â鶹ӰԺ, but also for those in Amsterdam. In the fall, Brady honed his composer-performer skills at home and abroad. He studied composition and performance at the Conservatorium van Amsterdam (CvA) while an original composition was being premiered at Â鶹ӰԺ.

Originally from Barrington, Rhode Island, Brady is a BMA student focused on jazz performance with a cognate in economics. He specializes in alto saxophone, having begun playing the instrument at a young age.

Acknowledging his appreciation for Â鶹ӰԺ faculty such as José Encarnacion, Brady values exposure to different teaching perspectives. He singles out three important aspects of his CvA experience: high standards, direct feedback, and encouragement to freely explore personal interests.

“The most musically fulfilling experiences I’ve had are playing with other students,” Brady said.

In ensemble work, he gained his first experience with the baritone saxophone, now completing his exposure to all four main saxophones.

Amsterdam is home to a vibrant jazz scene, which nicely complements the Â鶹ӰԺ Conservatory. Besides the preponderance of jazz clubs, the city is frequented by world renowned musicians. This makes it a popular destination for the jazz-inclined, and indeed it was Brady’s first choice for study abroad.

“[Studying abroad is] a great opportunity to have a short trial run of another option of what life after Â鶹ӰԺ could be,” Brady said.

Easing into post-college life has its challenges, but experiences abroad are ideal for early exploration.

Although physically separated from Â鶹ӰԺ last fall, the musical connections remained. Brady’s composition, Bear in Mind, was the annual student commission for the Fred Sturm Jazz Celebration Weekend. Brady was handpicked for the task by Patty Darling, a Â鶹ӰԺ instructor of music and one of the organizers of the annual jazz festival.

“I was very grateful,” Brady said. “There are a lot of great big band writers on this campus who would have done a great job as well.”

Bear in Mind was preceded by Brady’s first big band chart, Sonder, written in 2021 under Darling’s supervision. A successful premiere by the Â鶹ӰԺ University Jazz Ensemble (LUJE) prompted Brady to pursue composition further.

When composing Bear in Mind, Brady set clear goals for himself. He knew it would be performed by high school musicians attending Jazz Celebration Weekend.

“I really wanted the piece to be something that had a simple, catchy, singable melody that would be engaging for younger musicians—something for them to latch onto without being overly simplistic or condescending,” he said.

Roy Hargrove—”a really beautiful musician, writer, trumpet player”—was the primary inspiration for this approach. Brady fondly recalls playing Hargrove’s music in high school.

An area of emphasis was orchestration, the creative management of different instrumental timbres. In this respect, Brady carefully adds instruments: first an opening drum groove, then the bass, followed by piano, saxophones, and finally the brass.

Both the Â鶹ӰԺ University Jazz Band and Jazz Ensemble have tackled Brady’s work, giving more exposure to this emerging composer.

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Murphy mixes music-making and business, turns ‘recital’ into rock concert /articles/michael-murphy-turns-recital-rock-concert/ Tue, 09 May 2023 15:35:41 +0000 /articles/michael-murphy-turns-recital-rock-concert/ Senior Michael Murphy will debut music from his new album at a May 15 performance at Gibson Music Hall in downtown Appleton. (Photo by Danny Damiani)

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Michael Murphy lives and breathes music.

“I listen to too much music, long story short,” said Murphy, a Â鶹ӰԺ University senior from nearby Neenah.

To give back to the Â鶹ӰԺ and Appleton communities, Murphy is planning a special senior recital—a live performance of his debut solo album, Indigo Jones, set for Gibson Music Hall in downtown Appleton at 7 p.m. May 15

“I’m using ‘recital’ with the biggest quotations,” he said. “I want this to be as much a rock concert as anything.”

Murphy’s main instrument is guitar, but he also plays bass and double bass and has studied jazz piano, composition, and voice. At Â鶹ӰԺ, he made audio engineering his focus and self-designed a major centered on business and music production. He’s among the first wave of Â鶹ӰԺ Conservatory students to pursue the Bachelor of Musical Arts (B.M.A.) degree, first introduced in 2019. Built with a jazz and contemporary improvisation track, it widened the path for students coming into the Conservatory, joining the Bachelor of Music (B.Mus.) and Bachelor of Arts (B.A.) degrees.

Business of music

Michael Murphy on launching Michael Murphy Music LLC as a student. 

Murphy also is a big proponent of Â鶹ӰԺ’s new business and entrepreneurship major, launching in the 2023-24 academic year. It’ll open new doors for students both in and out of the Conservatory who want to study business within a liberal arts curriculum.

It all fits the bill for Murphy, who has launched Michael Murphy Music LLC.

“The musician nowadays has to be an entrepreneur,” Murphy said. “Making a successful band nowadays, in my opinion, is no different than making a successful business.”

Michael Murphy performs in early April during EarthFest in Warch Campus Center. (Photo by Danny Damiani)

With the help of Conservatory faculty and the Innovation and Entrepreneurship program, Murphy is ready to use Indigo Jones as a steppingstone into the music business. His work on the album began while studying abroad at Â鶹ӰԺ’s London Centre in Fall 2022. The name Indigo Jones is a play on Inigo Jones, a seventeenth-century English architect. Murphy said the music was especially influenced by Elton John’s roots rock album, Tumbleweed Connection, recorded in England in 1970.

“I didn’t do as much music writing there, but I did a lot of freehand creative poetry to get my brain thinking,” he said of his London experience.

It’s been a busy stretch since returning to Appleton for his final two terms—touring with STEEM, a popular Fox Valley cover band, continuing classes in advance of Commencement on June 11, and writing and recording the album’s 14 tracks.

“I was able to bounce a lot of ideas off people and run with my own thing,” Murphy said of the album. “I didn’t have any creative limitations. … I hope I can keep it that way.”

In addition to STEEM, Murphy has a band with his brothers called Murphy’s Law. He frequently collaborates with older brother and Â鶹ӰԺ alum Jack Murphy ‘21, who lives in Manhattan.

“We write very well together,” Murphy said. “We’ve got that special brother bond where we can think each other’s thoughts and finish each other’s sentences.”

Indigo Jones features contributions from bassist and Â鶹ӰԺ alum Ryan Erdmann ‘22 and drummer Wayne Salzmann II. Salzmann took lessons from Â鶹ӰԺ Professor of Music Dane Richeson and has played with Eric Johnson, one of Murphy’s guitar idols. Jack Murphy, Erdmann, and Salzmann will all be playing at the Gibson Music Hall concert.

While Murphy handled the album’s recording process himself, he credits Brent Hauer, Â鶹ӰԺ’s director of recording and technology and lecturer in recording arts, with providing a big assist.

“It was a fun process and a learning experience for me,” Murphy said. “Brent basically gave me free rein and the key to the mic locker.”

Murphy also credits Gary Vaughan, a lecturer in innovation and entrepreneurship and coordinator of Â鶹ӰԺ’s Innovation and Entrepreneurship program, with advising the financial and business aspects of the project.

“He was my big overseer for making sure this wasn’t just a one-off project,” Murphy said.

Murphy said he found a welcoming supporter in Dave Willems, owner of Gibson Music Hall and director of Mile of Music.

“Dave was unbelievably generous in letting me use the Gibson space, and he had the idea to make it a Â鶹ӰԺ thing,” Murphy said. “He was like, ‘Hey, would you be interested in having someone open for you?’ and I was like, ‘You’d better believe it.’”

Opening for Murphy will be Â鶹ӰԺ senior Holly Beemer.

“I’ve done a lot of projects with other bands and groups, but this is the first big solo project that I’ve done, so that’s been really exciting,” Murphy said.

Popping the bubble

Murphy was taking beginner-level movement music classes at the Â鶹ӰԺ Community Music School (then known as the Â鶹ӰԺ Academy of Music) before he was even a year old. With a father who is a hobbyist musician and a mother who is classically trained, Murphy said he and his siblings grew up surrounded by all types of music.

“When I was growing up, it was Veggietales on the TV, and then all of a sudden, my dad would take out the VHS and put in Stop Making Sense by the Talking Heads.”

Murphy said as much as he loves recording and production, he’s just as passionate about visuals and live performances. A friend owns The Wild Goose Exchange thrift store and is helping create outfits for the May 15 concert. Murphy’s keeping the details a surprise, though.

“It’s gonna be a little warm, but it’s a really cool outfit,” he said.

Beemer will open the show at 7 p.m., followed by Murphy at 7:30 p.m. Admission is free; concertgoers will be able to leave tips.

Murphy said the biggest hope for this project is to provide a fun opportunity for Â鶹ӰԺ students to venture off campus and hear a rock concert.

“Since I’m a townie—I grew up in this beautiful place—I would love to see more connections between Â鶹ӰԺ and the community,” Murphy said. “We’ve got this bubble and I’m trying to be the one little needle that keeps popping it. That’s my goal: Pop the bubble, get people out.”

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For first-year trombone player, mixing jazz and basketball all part of the game /articles/mallory-meyer-mixing-jazz-basketball/ Tue, 28 Dec 2021 01:43:09 +0000 /articles/mallory-meyer-mixing-jazz-basketball/ Mallory Meyer, a first-year music student and basketball player, stands in front of Alexander Gymnasium with her trombone. She will perform Nov. 5 as part of Fred Sturm Jazz Celebration Weekend and will debut Nov. 6 with Â鶹ӰԺ’s women’s basketball team. (Photo by Danny Damiani)

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There are many reasons why students choose Â鶹ӰԺ. For Mallory Meyer, a first-year from Battle Ground, Washington, the deciding factor was the opportunity to play in Â鶹ӰԺ’s world-class Conservatory while also competing as a member of the women’s basketball team.

Meyer’s musical instrument of choice is the trombone, and she is currently the only first-year in the award-winning Â鶹ӰԺ University Jazz Ensemble (LUJE), directed by Patty Darling.

“When I found out I was the only first-year in the band, I was surprised, and a little nervous about jumping in with all the amazing players,” Meyer said. “But being surrounded by players like that makes you step up to try to match their level, and, although challenging, it’s been great so far.”

LUJE carries a long-standing reputation of excellence. It has been nationally recognized multiple times in the annual ¶ٴǷɲԲú±𲹳ÙÌýawards, among the most prestigious national honors in jazz education.

“We don’t have first-year students in LUJE very often, and Mallory’s outstanding and mature musicianship, spirit, and dedication are greatly admired by everyone in the ensemble,” Darling said.

Meyer’s passion for both jazz and basketball will be on full display on the weekend of Nov. 5 and 6. The LUJE will take part in the annual , performing with world-renowned composer Dave Rivello at 7:30 p.m. Nov. 5 in Memorial Chapel (open to the Â鶹ӰԺ community only; available to the public virtually). Meanwhile, the women’s basketball team will kick off its season with a Nov. 6 game against Carthage College at 3 p.m. in Alexander Gymnasium (open only to Â鶹ӰԺ students, faculty, and staff).

Meyer, who is pursuing a , began playing the trombone when she was in fifth grade. She played in jazz bands throughout high school while also taking private lessons. She fell in love with playing and knew that she wanted to continue her musical education at a university with a reputable jazz program.

Â鶹ӰԺ fit the bill in every way. When Downbeat held its Student Music Awards last year, it created a new undergraduate category due to the pandemic—Asynchronous Large Jazz Ensemble. , marking the 30th time the jazz program has been honored by ¶ٴǷɲԲú±𲹳ÙÌýin the last four decades, spanning categories that have included large jazz ensemble, small group, jazz composing, jazz arranging, solo performance, jazz vocal group, and Latin group.

Jazz Weekend, being presented to the public virtually this year due to ongoing pandemic concerns, annually brings in top jazz talents to perform with and alongside Conservatory students and faculty.

Meyer’s talents don’t stop there, of course. She also started playing basketball about the same time she picked up the trombone. The 5-foot-10 forward now plays for the Vikings, and, much like rehearsals, practices have been going well.

“Getting to know everyone and just getting to play with them has been really nice, especially after not playing for a while,” Meyer said.

Juggling rehearsals and performances in the Conservatory along with practices and games in the gym has been challenging. But Meyer said she has taken it all in stride; she grew up having to manage her time between her school work, jazz, and basketball.

For Meyer, the hardest transition is being far from home and her family, but her time spent with LUJE and playing basketball with her teammates has helped to alleviate her homesickness, she said. And although missing her family, she wouldn’t trade the experiences she’s had at Â鶹ӰԺ so far.

“I just like the creative side of it all, being able to create music how I want and having fun on the basketball court with my teammates,” she said.

Ticket information for the Jazz Weekend concerts can be found at .

Class Year: 2025

Major: Music performance (trombone)

Hometown: Battle Ground, Wash.

Activities: LUJE, Basketball

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Conservatory student Michael Murphy flexes his music skills with multiple bands /articles/michael-murphy-flexing-skills-multiple-bands/ Tue, 28 Dec 2021 01:07:36 +0000 /articles/michael-murphy-flexing-skills-multiple-bands/ Michael Murphy sits for a portrait in Sol Studios in Â鶹ӰԺ’s Music-Drama Center. (Photo by Danny Damiani)

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For Â鶹ӰԺ University junior Michael Murphy, there has never been any question of what he wants to do with his life. Growing up in a family of musicians, Murphy has always loved creating music and performing on stage, so it’s no surprise that he is already deeply immersed in the music world.

Murphy, pursuing a bachelor of musical arts (B.M.A.) degree in the Conservatory of Music, is from nearby Neenah, and he’ll have an opportunity to show his skills Dec. 23 when he performs a holiday concert with a popular local R&B band, STEEM, at the Fox Cities Performing Arts Center in downtown Appleton. He’s been performing regularly with the band, led by vocalist and saxophone player Michael Bailey and singer-songwriter Steve March-Tormé, son of the iconic Mel Tormé.

“STEEM is very much like Stevie Wonder, Aretha Franklin, Chicago,” Murphy said. “Our summer stuff is a lot more of the funk/jazz fusion, funk-rock, pop-rock instead of classic rock, and right now Christmas rock.”

Murphy is one of the guitarists and vocalists for STEEM. The Dec. 23 show, set for 7:30 p.m., is part of their Christmas tour, For Kids From One to Ninety-Two, taken directly from the lyrics of The Christmas Song as a tribute to Mel Tormé. The band has performed its holiday show throughout Wisconsin and into Minnesota and Upper Michigan in recent weeks.

Information and tickets for the Fox Cities PAC show .

Murphy started playing with STEEM because of his connections with Bailey, who leads another popular local band, Vic Ferrari. That band has an annual show called Symphony on the Rocks, which Murphy’s mom has been playing with as a violinist for 10 years.

Murphy had been performing with his family band, Murphy’s Law, and also separately with his brothers in their band, Hewit, for a couple of years. His mom suggested to Bailey that they play during Vic Ferrari’s intermissions.

“Mike had known us from coming to the shows and watching us grow up, basically,” Murphy said.

That eventually led to other opportunities, including an invitation to join STEEM.

Murphy said he took his musical training to another level when he enrolled at Â鶹ӰԺ.

The work he’s done in the Conservatory has allowed him to grow with his music. He had hesitated at first to apply to Â鶹ӰԺ because he wasn’t sure he wanted to go to school so close to home. But when the Conservatory unveiled its new B.M.A. degree, focused on jazz and contemporary improvisation, it quickly became his top choice.

He has played with Conservatory ensembles and worked closely with Conservatory faculty while continuing to play with all of his local bands.

“It has been greatly humbling to play with these groups and to have this education,” Murphy said. “I play with much more patience now and it has allowed me to have more confidence to play. At the same time, I’m encouraged to take risks and I’m able to try new things here with my music.”

Class Year: 2023

Major: Guitar

Hometown: Neenah, Wis.

Activities: Sol Studios, Music Performance

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B.M.A. degree opens path for Conservatory students with a passion for bluegrass /articles/bluegrass-finds-home-conservatory/ Mon, 13 Dec 2021 21:32:42 +0000 /articles/bluegrass-finds-home-conservatory/ Tashi Litch performs during LUaroo in May 2021. (Photos by Danny Damiani)

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Â鶹ӰԺ University sophomore Tashi Litch is a mandolin player with a passion for bluegrass music and a deep curiosity about the world.

So, when the Orcas Island, Washington, native set out to select a college, he had two priorities in mind. He sought a music conservatory willing to nurture his bluegrass skills, and he sought a college that would allow him to explore academic subjects across the liberal arts. He found what he was looking for in Â鶹ӰԺ’s Bachelor of Musical Arts (B.M.A.) degree, launched three years ago with a focus on jazz and improvisational music but open to almost any genre of music. Its 50-50 split between music courses in the Conservatory and non-music courses in the college gave him what he needed.

Litch is now one of more than 30 students who have come to Â鶹ӰԺ via the B.M.A. program since it launched in 2019.

“Â鶹ӰԺ was one of the few that has a college and a conservatory and allows students to participate in both,” he said. “That was pretty important to me, to be able to study music at a high level and also be able to take liberal arts college courses. That’s what drew me in.”

Â鶹ӰԺ students dance at LUaroo to the bluegrass sounds of the foursome now known as The Woebegones.

A love of bluegrass

Since arriving at Â鶹ӰԺ, Litch has found his interest in bluegrass nurtured, embraced alongside the classical and jazz repertoire that has long been the Conservatory’s calling card.

He connected almost immediately with a fellow B.M.A. student from Washington state, Evan Snoey, a fiddle player who shares his deep love of bluegrass.

“We knew each other from out in Washington,” Litch said. “He is a year ahead of me and he had felt out the scene here and knew a few players. When I got here, I said, ‘We have to do something, we’ve got to play some bluegrass.’”

That led them to Dominic LaCalamita, a B.M.A. student from Naperville, Illinois, and Ian Harvey, a music and philosophy double major from Seattle. Together they became The Woebegones (they were earlier known as Highcliff).

Evan Snoey

Coached by Matt Turner, a music instructor in the Conservatory, the foursome has been pushing the boundaries, turning a Billie Eilish song into a bluegrass tune, covering a song by The Strokes, and embracing the progressive bluegrass sounds of the Punch Brothers. They’re also playing some bluegrass standards and have a couple of originals in their set.

They’re getting a chance to show their skills on a big stage during the first weekend of October. The foursome has been invited to perform at the annual IBMA World of Bluegrass Festival in Raleigh, North Carolina. They’ll be performing as the Â鶹ӰԺ University Bluegrass Band as part of Saturday’s College Band Showcase.

Litch had connections with some of the festival organizers after having played the festival in his youth as part of a Kids on Bluegrass collective.

“I thought it might be cool to put our names in and see if we can go out there to play,” Litch said. “And here we are. We’re going to be doing an hour-long set on one of the big stages.”

Litch said he grew up playing the fiddle and then the mandolin. He tagged along to jam sessions with his musical family and spent much of his free time trying to emulate the skills of mandolinist Chris Thile. He hit the road during recent summers to play at bluegrass festivals as a duo with his brother.

Now studying at Â鶹ӰԺ and playing in a quartet with other talented music students is raising his game, he said.

“I’m used to playing with a duo, so having the four-piece band was a really different dynamic for me,” he said. “It’s really exciting. There are so many more possibilities and directions we can go with that. I love the more high-energy type of bluegrass that you can do with four of us.”

A beautiful fit with B.M.A.

That’s sweet music to Turner, who has worked closely with the bluegrass foursome while also welcoming B.M.A. students focused on jazz, electronic music, punk, mariachi, global music, and songwriting. They are students looking for high-level music and theory instruction but through a lens of their own choosing.

“I think I can safely say that most of these students would not have come to Â鶹ӰԺ if the B.M.A had not been here,” Turner said. “We’re very excited about all of these students. They’re really good musicians and they’re great scholars, which is an important part of the B.M.A. because it’s a 50-50 split between non-music and music courses.”

Brian Pertl, dean of the Conservatory, said it’s no coincidence that three of the four members of the bluegrass band are seeking B.M.A. degrees. They are following a path that was envisioned when the program was first rolled out.

“Although the specific track in the B.M.A. degree is called Jazz and Contemporary Improvisation, the program welcomes students interested in a broad range of contemporary music styles,” Pertl said. “The common thread is that all of our students, no matter their primary focus, are musically curious, collaborative, and boundary-crossing. These students have brought bluegrass in as another prominent voice in our multi-faceted musical community, so they really are a perfect fit for Â鶹ӰԺ and the B.M.A. program.”

Litch said he has felt that love since the day he brought his mandolin to campus.

“I’ve been able to improve my skills as a musician technically, but also my theory understanding, especially with jazz theory, which complements bluegrass and makes me a more well-rounded musician,” he said.

“The whole ethos of the B.M.A. program is that anyone is welcome,” Litch added. “So, for me, with bluegrass, it’s been great. It’s been really supported.”

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Â鶹ӰԺ unveils new B.M.A. degree, widening path for student musicians /articles/bma-degree-widens-path-student-musicians/ Mon, 02 Aug 2021 03:40:39 +0000 /articles/bma-degree-widens-path-student-musicians/ The Â鶹ӰԺ University Jazz Ensemble has been part of the Â鶹ӰԺ Conservatory of Music’s long history of jazz education excellence. The new B.M.A. degree, beginning this fall, will build on that with its Jazz and Contemporary Improvisation track.

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Electric guitars and synthesizers could soon become as familiar as violins and bassoons in the Â鶹ӰԺ Conservatory of Music.

A new degree program is being introduced at Â鶹ӰԺ University that is expected to open the school’s Conservatory of Music to a wider group of student musicians. Bachelor of Musical Arts (B.M.A.), with a Jazz and Contemporary Improvisation track, has been added to Â鶹ӰԺ’s degree options, joining Bachelor of Music (B.Mus.) and Bachelor of Arts (B.A.).

It’s a new avenue for a conservatory whose history dates back to the 19th century. Built on the strength of a nationally recognized jazz program that has been earning major honors since the 1970s, the new degree expands on the classical music component in the Conservatory, allowing students for the first time to audition with non-classical repertoire. The foundation is in jazz and contemporary improvisation, but the degree is built to accommodate a wide range of music making.

The B.M.A. degree, in place beginning this academic year, has a 50-50 split between music studies and a student’s choice of another field in the liberal arts landscape, with expectations to connect the two.

Exploring the Bachelor of Musical Arts

Bachelor of Musical Arts degree

The high standards haven’t changed. The audition process for acceptance into the Conservatory remains intact, and the skill-development expectations continue to be top level. But for prospective students eyeing the B.M.A. degree, the audition no longer needs to be limited to pieces from the Western classical repertoire, potentially opening the door for students who see their strengths and interests in jazz or pop or hip-hop or another music genre. And the new degree presents an alternate path of study for classical musicians, as well.

It unwraps all sorts of additional choices, said Brian Pertl, dean of the Conservatory. 

“The new degree will open the Conservatory to a broader range of musical interests,” he said. “No longer does a student have to audition on a Western classical instrument and perform classical repertoire. Drummers, electric guitarists, fiddlers, keyboard players, jazz vocalists, songwriters and contemporary composers are all welcome to audition into the new program.”

Â鶹ӰԺ Conservatory of Music

New B.M.A. degree

This isn’t completely new territory for the Conservatory. It has long had a thriving jazz program. Â鶹ӰԺ won the first of its 28 Downbeat jazz education awards as far back as 1985, its latest as recently as April, picking up the award for the best undergraduate large ensemble for the second consecutive year. But current students have had to come into the jazz track via the classical music auditions and training, then seek a jazz emphasis while also studying classical repertoire. 

The current B.Mus. degree, Pertl said, works well for many aspiring musicians who seek both classical and jazz training, but it leaves out those whose aspirations do not include the classical side of performance training. The new degree will rectify that. It also will expand the opportunities to tap into music-related fields that don’t necessarily involve performance.

Jazz and improvisation have long been part of the Â鶹ӰԺ Conservatory of Music. The new B.M.A. degree will add flexibility for music students.

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The late Fred Sturm, who oversaw the jazz studies program at Â鶹ӰԺ for 26 years, began laying the groundwork for the new degree prior to his death in 2014.

What started as a specific focus on jazz eventually grew into the more wide-ranging B.M.A. degree, Pertl said. The degree allows the Conservatory to welcome in musicians who don’t necessarily fit a certain musical footprint.

“Last year, for example, we graduated an exceptional student from Chicago named Bernard Lilly,” Pertl said. “Bernard is an amazing soul singer. He’d been singing long before he came to Â鶹ӰԺ and sang all the way through Â鶹ӰԺ, but he never took any courses in the Conservatory because he didn’t feel like there was anything there for him, until his last term in his senior year when he took my entrepreneurship class and studied with (voice professor) John Holiday, and worked with professors in our jazz department. He would have been a perfect candidate for a B.M.A. degree.

“To be able to give students like Bernard high-level musical training will certainly broaden what they can do. But it also expands the musical culture of the Conservatory, mixing different genres and different musical sensibilities. This will be a huge advantage to everyone at the Conservatory.”

Students pursuing a B.Mus. degree in the Conservatory take about two-thirds of their classes in their major area of study and about one-third in general education or electives. Music students who pursue a double degree — a music degree and a B.A. in the college — do so on a five-year plan.

The new B.M.A., meanwhile, combines high-level music study with another field of interest in a four-year plan. As part of the degree requirements, students pursue a cognate focus that makes up 15% of their coursework. The cognate allows them to deeply explore another area of interest that ties into their music studies.

“It could be musically oriented but in the area of anthropology,” Provost and Dean of Faculty Catherine Kodat said. “Or musically oriented but in political science.”

Core classes, one-on-one work with faculty and a wide range of electives give B.M.A. students opportunities to carve their own musical paths, some performance based, some not.

That, said Patty Darling, director of the Â鶹ӰԺ University Jazz Ensemble, speaks to how music can inform so many disciplines in a variety of ways. Today, preparing young musicians to pursue their musical lives can’t be limited to focusing solely on technical mastery. Each year, opportunities will arise that don’t exist today, so musicians need to pair their high-level musicianship with high-level thinking, creative problem-solving, and the flexibility to capitalize on opportunities that others don’t even see.

Flexibility, an ability to adapt quickly, and a willingness to collaborate are all key attributes for anyone entering the world of music in the 21st century. Blending those core musicianship skills with an education in a student’s other field of interest is the next step in keeping the Conservatory forward-thinking.

“A lot of these students who come in wanting to create their own musical voice are pretty self-directed already,” Darling said. “While they’ll be gaining a lot of these core musicianship skills, they also want to be able to access entrepreneurial practices, music business models and opportunities for internships.

“It’s really interesting how the recording scene has developed, how music publishing has changed,” she said. “Even large ensembles and orchestras — all these musical opportunities have transformed dramatically in the last 10 years and students need the ability to self-promote. That’s a very important skill to have … to be able to put your best self out there.”

Pertl called the B.M.A. a natural progression for the Conservatory as it embraces and nurtures the modern musician.

“At Â鶹ӰԺ, we’ve already been incorporating so many of the elements of improvisation and world music into the trajectory of a classically trained musician for the same reason,” he said. “It’s going to be the flexibility of art, and of mind, that will help you to successfully create your musical life.”

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